Parents need to know that Stubbs the Zombie in Rebel Without a Pulse is an action adventure game available for download on the Nintendo Switch, Xbox One, PlayStation 4, and Windows PC. Players assume the role of a zombie who must kill and eat innocent humans (pedestrians, police officers, scientists, and more), and lots of blood can be seen spurting out of their heads and neck (as well as brain tissue). This is accompanied by eating sounds and victims screaming in agony or pleading for their lives. There are guns in the game, and vehicles can be used to shoot projectiles at civilians, or these people can be run over and bodies will go flying. You can remove your head and use it as a bowling ball or toss your pancreas like a bomb. There are sexual comments and innuendo targeted to Stubbs' love interest, Maggie, who shows a lot of cleavage, and a flashback that implies sex between Stubbs and Maggie. There's moderate language and crude humor, including flatulence and urination as part of the game mechanic. Stubbs is also shown smoking a cigarette in most of his cutscenes.
Stubbs sees you jumping up from the dead in the city of Punchbowl, a self-automated 'world of tomorrow' affair with chunky Robbie the Robot' robots, hover-cars and other faux-future paraphernalia so beloved by the gullible dolts of the American '50s. The on-screen action is even complemented by a flickery filter that presents the murderous rampage of the titular zombie with dust-specks, dampened colours and the occasional stray pube. Behind this, robots cheerfully fill up cars via their groinal attachments, citizens trot around their promised land of Americana and (if I heard correctly), policemen scream,"My wanking arm!" as Stubbs merrily relieves appendages from their sockets. Its presentation is impeccable, and it even has The Flaming Lips on the soundtrack.
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In the interests of creating a diverting game, Wideload has made sure that Stubbs dispenses of many hallowed zombie rules: he can amble at two speeds (one slightly faster than the other); he can jump; he can use bits of his guts as grenades and he can fart noxious gas. In many eyes, this rejigging of zombie lore would be a crime second to none, but thankfully key Romero-isms remain. Stubbs eats brains, those relieved of brains become his shambling followers, and these followers also gain a penchant for cerebral matter. Your zombie pals then amble around helping you off the innocent, absorbing bulletsleft, right and centre and generally causing a nuisance in the malls, streets, multi-storey car parks, police stations and bumpkin environs of fair Punchbowl.
It doesn't help that your zombie powers are so few and far between either. Your poisonous farts are useless, while the limited availability of gut grenades and head-bowling ball-bombs, coupled with their complete inaccuracy, makes lightweight nonsense out of some wonderfully-crafted animations of cartoon violence. Vacant level design, meanwhile, has large areas populated by relatively few characters - despite the sizeable amount of zombies that may be futilely trailing in your wake. My biggest bugbear in gaming meanwhile, the 'Halo effect', in which the same interiors are repeated ad infinitum, also makes a return to the fray.
The story of Stubbs The Zombie In Rebel Without A Pulse - to give Aspyr's freshly exhumed remaster its full title - is a tale as old as time. Boy meets girl and falls in love. Girl's father isn't too fond of boy, and has him killed. Some 26 years later, girl's son goes on to found a retro-futuristic city built on top of boy's unmarked grave. Boy returns as a zombie to tear through said city, turning its citizens into brain-hungry monsters and embarking on a mission to win his sweetheart back. 2ff7e9595c
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